• Contemporary dance

• ‘Based on ‘Process Init’, an unconventional movement research method developed by the Korea National Contemporary Dance Company’s artistic director, Sung-yong Kim’.

• Dancers embody the movements of the jungle: animals, plants and humans.

• Part of Festival of Korean Dance 2025

• Skateboarding meets dance

• Mixed programme of new works from ballet companies around the world.

• Contemporary dance, meshing other dance styles together: voguing meets influences from Ancient Greek to Japanese Noh theatre

• American choreographer Trajal Harrell

• Soundtrack made from Keith Jarrett’s album The Köln Concert and Joni Mitchell.

• Contemporary dance duet.

• Looks with love at how queer people appear and disappear as they adjust and re-position for the gaze of others.

• Two contemporary dance works exploring marginalised people:

  • CROW: “Jules and collaborators explore a more spacious world of responsive ritual, symbolism and connected solitude, qualities associated with the crow.”

  • Pigeons: “Working with pigeon groupings and behaviour, the dancers explore ways of being alone and together, disruption and distraction.”

• Part of Van Cleef & Arpels Dance Reflections Festival

• “A duet for two bodies: Georges Labbat and his translucent, rigid and plastic alter-ego, fashioned in resin.”

• Contemporary dance

• Part of Van Cleef & Arpels Dance Reflections Festival

• Contemporary dance

• “Dancers and athletes move effortlessly between a criss-crossing web of high wires and slack lines”

• Part of Van Cleef & Arpels Dance Reflections Festival

• Postmodern dance performed in an unusual space

• Award-winning American choreographer

• An exploration of rituals

• Part of Dance Reflections Festival by Van Cleef & Arpels.

• A contemporary dance piece reinterpreted every time its performed.

• This time Dresden Frankfurt Dance Company join forces with Rambert Dance School students.

• Part of Van Cleef & Arpels Dance Reflections Festival

• Contemporary African dance

• “an homage to the rickshaw drivers of South Africa’s past.”

• Performed by “Moving into Dance Mophatong (MIDM), a company nourished by Zulu traditions and a flagship for contemporary dance in South Africa.”

• Part of Van Cleef & Arpels Dance Reflections Festival

• Contemporary dance mixed with video technology

• French choreographer

• Accompanied by a live performance of Bach’s The Art of Fugue

• Part of Dance Reflections Festival by Van Cleef & Arpels.

• Two contemporary dance pieces by 20th century modern dance legend Merce Cunningham

• Programme:

  • BIPED: “references that humans are two footed creatures. The choreography focusses on movement restricted to motion supported by the feet.”

  • Beach Birds: “In Cunningham’s words Beach Birds “is all based on individual physical phrasing. The dancers don’t have to be exactly together. They can dance like a flock of birds, when they suddenly take off.””

• Part of Van Cleef & Arpels Dance Reflections Festival

• Contemporary dance

• Solo retelling of the ballet Giselle

• Accompanied by live music

• Part of Dance Reflections Festival by Van Cleef & Arpels.

• “Twerking, hip-centric jazz, vogueing, and postmodern dance”.

• Commentary on the internet age.

• Part of Van Cleef & Arpel’s Dance Reflections Festival.

• Contemporary dance

• “Through dance, movement, instrumentals, ritual and chant, Hagay Dreaming recounts a story based on an ancient legend connected to the Truku indigenous culture of Taiwan.”

• Taiwanese-American choreographer

• Part of Dance Reflections Festival by Van Cleef & Arpels

• Two contemporary dance pieces

• Programme:

  • Working Title, Trisha Brown

  • In the Fall, Noé Soulier

• Part of Van Cleef & Arpels Dance Reflections Festival

• Title translates to “An over-protected eye always gets sand in it”.

• Contemporary dance solo

• French choreographer

• Part of Van Cleef & Arpels Dance Reflections Festival

• Contemporary dance

• French choreographer

• “Explores ideas around Evolution Theory and the preposterous notion of human exceptionalism.”

• A talk with the choreographer on 7 March

• Renowned Russian ballerina, and Royal Ballet Principal dancer, Natalia Osipova, performs a series of solos

• Contemporary dance and ballet

• Programme:

  • Errand into the Maze, Martha Graham

  • Five Brahms Waltzes in the Manner of Isadora Duncan, Frederick Ashton

  • The Exhibition, Jo Strømgren (world premiere)

• Contemporary dance

• Two works:

  • Schachmatt (Checkmate!) by Cayetano Soto: inspired by Joan Rivers, Pedro Almodóvar, and Bob Fosse. Dancers perform on a giant chessboard to retro pop.

  • Twice-Born by Dickson Mbi: a blend of hip-hop and contemporary dance “tell of another world where matriarchal figures are sacrificed and reborn.”

• Contemporary dance

• Created by celebrated British contemporary choreographer Sir Wayne McGregor.

• “conjures a highly sensory, meditative pure dance and acoustic experience which reflects on our profound relationship with the void and our own mortality.”

Tour, various locations

• For children

• “Willow and Weave … embark on a journey of connection and companionship and explore the possibilities of fabulously flexible willow.”

• Black-led contemporary dance company

• Contemporary dance

• By renowned, Canadian choreography Crystal Pite

• “grapples with themes of safe passage, displacement, community and mortality.”

• Set to Gorecki’s Symphony of Sorrowful Songs.

• Irish Choreographer

• Contemporary dance

• “A trip into the chaotic and vivid inner world of someone who doesn’t fit in.”

• A solo work, performed by Kévin Coquelard.

• Contemporary dance infused with Latin and African dance styles.

• Three works:

  • Paysage, Soudain, La Nuit by Pontus Lindberg

  • Soledad by Rafael Bonachela

  • Hybrid by Norge Cedeño and Thais Suárez

• Presented by Carlos Acosta’s dance company, Acosta Danza